Chris Chafe and host Scot Gresham-Lancaster dive into an in depth one hour conversation about many aspects of Chris's decades of in depth work in sonificaiton. Chris is easily one of
the worlds leading experst in this field with prolific output of new material and many rich new ideas that have made him one of the most important figures in the field.
Chris Chafe's web page
The part of his website dedicated to sonification work can be seen at
Pointer to Sonification Workse
Bio:Chris Chafe is a composer, improvisor, and cellist, developing much of his music alongside computer-based research. He is Director of Stanford University’s Center for
Computer Research in Music and Acoustics (CCRMA). At IRCAM (Paris) and The Banff Centre (Alberta), he pursued methods for digital synthesis, music performance and real-time internet collaboration. CCRMA’s SoundWIRE project involves live
concertizing with musicians the world over.
Online collaboration software including jacktrip and research into latency factors continue to evolve. An active performer either on the net or physically present, his music reaches audiences in dozens of countries and sometimes at
novel venues. A simultaneous five-country concert was hosted at the United Nations in 2009. Chafe’s works are available from Centaur Records and various online media. Gallery and museum music installations are into their second decade
with “musifications” resulting from collaborations with artists, scientists and MD’s. Recent work includes the Brain Stethoscope project, PolarTide for the 2013 Venice Biennale, Tomato Quintet for the transLife:media Festival at the
National Art Museum of China and Sun Shot played by the horns of large ships in the port of St. Johns, Newfoundland.
Carla Scaletti is an experimental composer and designer of the Kyma sound design language and co-founder of Symbolic Sound Corporation. Her compositions always begin with a “what-if” hypothesis and involve live electronics interacting with acoustic sources and environments. The listener is encouraged to first watch Carla’s brilliant keynote at the 2017 International Conference of Audio Display if possible at This Link
Gregory Kramer is a composer, scientific researcher, author, entrepreneur, and teacher. He is a founding figure in the emerging field of Sonification and published the first book in this area,”Auditory Display: Sonification, Audification and Auditory Interfaces” (Addison Wesley) The definition of sonification that everyone studying this field reads was written by Greg.
Dolores Catherino is a polychromatic composer and multi-instrumentalist. Her avant-garde compositions use sonic ‘pitch-palettes’ of 106 and 72 EDO (equal divisions of the octave) and are performed on visionary 21st century keyboard
instruments.
As a musician, she is focused on exploring new sonic worlds within a polychromatic framework which simplifies and unifies our rapidly multiplying microtonal pitch-scale methods. Polychromatic concepts of musical
‘pitch-color’ and ‘interval-color’ are also intended to simplify the exploration of new aesthetic possibilities in the practice of associative synesthetic awareness: learned associations and conceptual/perceptual integration of
audible
pitch with visual color. With an undergraduate study in music and graduate study in medicine, she hopes to explore and develop integrated perspectives between the sound arts and sciences.
Barlow, who studied composition under Bernd Alois Zimmermann (1968-1970) and Karlheinz Stockhausen (1971-1973), is a universally acknowledged pioneer and celebrated composer in the field of electroacoustic and computer music. He has made groundbreaking advancements in interdisciplinary composition that unite mathematics, computer science, visual arts, and literature. While he has been a driving force in interdisciplinary and technological advances, his music is nevertheless firmly grounded in tradition and thus incorporates much inherited from the past. His works, primarily for traditional instruments, feature a vocabulary that ranges from pretonal to tonal, nontonal, or microtonal idioms, and, further, may incorporate elements derived from non-Western cultures.
Jordan Wirfs-Brock studies the future of voice interactions from a human-centered computing perspective. Her research focuses on how unexpected mechanisms—sound, taste, participatory experiences—can help people understand quantitative data. For over ten years, she has been making complex information approachable as a journalist, data analyst, producer, and designer.
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