Marco Buongiorno Nardelli1: Composer and Material Science Physicist
Brings Art and Science Together
with Scot Gresham-Lancaster / 12 May 2014 / 26:31
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Presented by
Strange Data LLC.
Marco Buongiorno Nardelli
Composer & Physicist
Blazing new Pathways in
Sonification
Marco Buongiorno Nardelli1: Composer and Material Science Physicist
An opportunity to catch up with Marco Buongiorno Nardelli in 2015 in the midst of an ongoing and seemingly endless flow of creation where scientific and musical work co-mingle and compliment each other.
un giro d' anello from Unknown Ajourney on Vimeo.
Bio: Dr. Buongiorno Nardelli is a computational materials physicist and composer. His latest work at www.materialssoundmusic.com is a new computer-aided data-driven composition
(CADDC) environment based on the sonification and remix of scientific data streams. Sonification of scientific data, i.e. the perceptualization of information through acoustic means, not only provides a useful alternative and complement
to visual data representation, but provides also the raw data for potential artistic remixes and further musical interpretation.
Marco Buongiorno Nardelli is a University Distinguished Research Professor in the Department of Physics and the Department of Chemistry, a composer, flutist and a member of iARTA at the University of North Texas. He is a Fellow of the
American Physical Society and of the Institute of Physics, a founding member of the AFLOW Consortium and a Parma Recordings artist.
Marco's Material Sound Music Webpage
Our Guests
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Pauline Oliveros founder of the Deep Listening Institute -
Jordan Wirfs-Brock Radio journalist & sonification -
Brian Foo The Data Driven DJ -
Clarence Barlow Data Composer Extrordanaire -
Dolores Catherino Poly Chromatic Music -
Ivanna Muse Cambridge Creation Lab -
Roger Dean musician, biochemist and cognitive scientist -
Konstantinos Vasilakos Sonification, gestural improvisation, and live coding -
Garth Paine Composer - Acoustic Ecology Lab -
Chris Chafe Sonification Research CCRMA -
Martin Keary Muse and Sonification Critic -
Mark Ballora The voice of real sonification -
Carla Scaletti The Data Driven DJ -
Gregory Kramer Early Sonification Artist -
Bert Barten The Talking Trees Project -
Paul Vickers Sonification and Stand Up Comedy -
L. Alexis Emelianoff Sonification of Electrical Field -
David Worrall Sonification guru -
Marco Buongiorno Nardelli Composer - Material Science Physicist
-
Sophia Roosth The Art of the Senses -
Mike Winters Sonification and Emotion -
Florian Grond Sonification, Cognition and Interaction -
Margaret Schedele Composer - Art Science collaborator -
Andrew Blanton Percussion and sonification
Related Podcasts
Carla Scaletti Sonification Pioneer
with Scot Gresham-Lancaster/ 28 November 2017 / 1:30:20
Carla Scaletti is an experimental composer and designer of the Kyma sound design language and co-founder of Symbolic Sound Corporation. Her compositions always begin with a “what-if” hypothesis and involve live electronics interacting with acoustic sources and environments. The listener is encouraged to first watch Carla’s brilliant keynote at the 2017 International Conference of Audio Display if possible at This Link
Gregory Kramer on the beginnings of Sonification
with Scot Gresham-Lancaster / 16 September 2017 / 1:30:20
Gregory Kramer is a composer, scientific researcher, author, entrepreneur, and teacher. He is a founding figure in the emerging field of Sonification and published the first book in this area,”Auditory Display: Sonification, Audification and Auditory Interfaces” (Addison Wesley) The definition of sonification that everyone studying this field reads was written by Greg.
Featured Guests
Dolores Catherino
Dolores Catherino is a polychromatic composer and multi-instrumentalist. Her avant-garde compositions use sonic ‘pitch-palettes’ of 106 and 72 EDO (equal divisions of the octave) and are performed on visionary 21st century keyboard
instruments.
As a musician, she is focused on exploring new sonic worlds within a polychromatic framework which simplifies and unifies our rapidly multiplying microtonal pitch-scale methods. Polychromatic concepts of musical
‘pitch-color’ and ‘interval-color’ are also intended to simplify the exploration of new aesthetic possibilities in the practice of associative synesthetic awareness: learned associations and conceptual/perceptual integration of
audible
pitch with visual color. With an undergraduate study in music and graduate study in medicine, she hopes to explore and develop integrated perspectives between the sound arts and sciences.
Clarence Barlow
Barlow, who studied composition under Bernd Alois Zimmermann (1968-1970) and Karlheinz Stockhausen (1971-1973), is a universally acknowledged pioneer and celebrated composer in the field of electroacoustic and computer music. He has made groundbreaking advancements in interdisciplinary composition that unite mathematics, computer science, visual arts, and literature. While he has been a driving force in interdisciplinary and technological advances, his music is nevertheless firmly grounded in tradition and thus incorporates much inherited from the past. His works, primarily for traditional instruments, feature a vocabulary that ranges from pretonal to tonal, nontonal, or microtonal idioms, and, further, may incorporate elements derived from non-Western cultures.
Jordan Wirfs-Brock
Jordan Wirfs-Brock studies the future of voice interactions from a human-centered computing perspective. Her research focuses on how unexpected mechanisms—sound, taste, participatory experiences—can help people understand quantitative data. For over ten years, she has been making complex information approachable as a journalist, data analyst, producer, and designer.
Steven Ericson
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Nathan Dumlao
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Brook Smith
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