Mark came to my attention as an individual doing some of the most innovative work in the new field. I reached out in winter of 2017 to speak to Mark about his work in sonification that I had been tracking for years
He was one of the most innovative and fully realized practitionaers of thsi new field of study.
In July of 2019 the newly appointed director of the Arts & Design Research Incubator at Penn State, Mark unexpectedly died Thursday, July 18, 2019. He was 57 years old. He is sorely missed by his students, his collegues and all of
us working in this new field. An example of the attention his work had garnered is here:
Meet the scientist who turns data into
music—and listen to the sound of a neutron star
Bio:Mark Ballora holds a joint appointment in the School of Music and the School of Theatre at Penn State. He received degrees from the University of California at Los
Angeles,
New York University, and McGill University. He is the author of Digital Audio and Acoustics for the Creative Arts (Oxford University Press, 2016). Major recognition of his work in came with the use of his sonifications of
astronomical
and physiological datasets that have been used by percussionist/ethnomusicologist Mickey Hart as part of performances of the Mickey Hart Band, and on their albums Mysterium Tremendum and Superorganism, the film Rhythms of the
Universe,
which Hart conceived with cosmologist George Smoot.
Check that and much more at:
Sonifications
Carla Scaletti is an experimental composer and designer of the Kyma sound design language and co-founder of Symbolic Sound Corporation. Her compositions always begin with a “what-if” hypothesis and involve live electronics interacting with acoustic sources and environments. The listener is encouraged to first watch Carla’s brilliant keynote at the 2017 International Conference of Audio Display if possible at This Link
Gregory Kramer is a composer, scientific researcher, author, entrepreneur, and teacher. He is a founding figure in the emerging field of Sonification and published the first book in this area,”Auditory Display: Sonification, Audification and Auditory Interfaces” (Addison Wesley) The definition of sonification that everyone studying this field reads was written by Greg.
Dolores Catherino is a polychromatic composer and multi-instrumentalist. Her avant-garde compositions use sonic ‘pitch-palettes’ of 106 and 72 EDO (equal divisions of the octave) and are performed on visionary 21st century
keyboard
instruments.
As a musician, she is focused on exploring new sonic worlds within a polychromatic framework which simplifies and unifies our rapidly multiplying microtonal pitch-scale methods. Polychromatic concepts of musical
‘pitch-color’ and ‘interval-color’ are also intended to simplify the exploration of new aesthetic possibilities in the practice of associative synesthetic awareness: learned associations and conceptual/perceptual integration of
audible
pitch with visual color. With an undergraduate study in music and graduate study in medicine, she hopes to explore and develop integrated perspectives between the sound arts and sciences.
Barlow, who studied composition under Bernd Alois Zimmermann (1968-1970) and Karlheinz Stockhausen (1971-1973), is a universally acknowledged pioneer and celebrated composer in the field of electroacoustic and computer music. He has made groundbreaking advancements in interdisciplinary composition that unite mathematics, computer science, visual arts, and literature. While he has been a driving force in interdisciplinary and technological advances, his music is nevertheless firmly grounded in tradition and thus incorporates much inherited from the past. His works, primarily for traditional instruments, feature a vocabulary that ranges from pretonal to tonal, nontonal, or microtonal idioms, and, further, may incorporate elements derived from non-Western cultures.
Jordan Wirfs-Brock studies the future of voice interactions from a human-centered computing perspective. Her research focuses on how unexpected mechanisms—sound, taste, participatory experiences—can help people understand quantitative data. For over ten years, she has been making complex information approachable as a journalist, data analyst, producer, and designer.
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