Martin Keary: Sonification gets well deserved criticism
By Scot Gresham-Lancaster / 16 February 2015 / 42:28
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Hosted by Scot Gresham-Lancaster
Our Guests
-
Pauline Oliveros founder of the Deep Listening Institute -
Jordan Wirfs-Brock Radio journalist & sonification -
Brian Foo The Data Driven DJ -
Clarence Barlow Data Composer Extrordanaire -
Dolores Catherino Poly Chromatic Music -
Ivanna Muse Cambridge Creation Lab -
Roger Dean musician, biochemist and cognitive scientist -
Konstantinos Vasilakos Sonification, gestural improvisation, and live coding -
Garth Paine Composer - Acoustic Ecology Lab -
Chris Chafe Sonification Research CCRMA -
Martin Keary Muse and Sonification Critic -
Mark Ballora The voice of real sonification -
Carla Scaletti Early Sonification Pioneer -
Gregory Kramer Early Sonification Artist -
Bert Barten The Talking Trees Project -
Paul Vickers Sonification and Stand Up Comedy -
L. Alexis Emelianoff Sonification of Electrical Field -
David Worrall Sonification guru -
Marco Buongiorno Nardelli Composer - Material Science Physicist -
Sophia Roosth The Art of the Senses -
Mike Winters Sonification and Emotion -
Florian Grond Sonification, Cognition and Interaction -
Margaret Schedele Composer - Art Science collaborator -
Andrew Blanton Percussion and sonification
Mark Ballora:Prophet of sonification efficacy
By Scot Gresham-Lancaster / 12 September 2020 / 30:35
Gregory Kramer: Origins of the Field of Sonification
By Scot Gresham-Lancaster / 16 March 2016 / 16:48
Bert Barten and the origins of the "Talking Trees" Project
By Scot Gresham-Lancaster / 16 November 2018 / 16:22
Carla Scaletti: Early Pioneer of Sonification research
By Scot Gresham-Lancaster / 16 July 2015 /30:54
Featured Guests
Dolores Catherino
Dolores Catherino is a polychromatic composer and multi-instrumentalist. Her avant-garde compositions use sonic ‘pitch-palettes’ of 106 and 72 EDO (equal divisions of the octave) and are performed on visionary 21st century keyboard
instruments.
As a musician, she is focused on exploring new sonic worlds within a polychromatic framework which simplifies and unifies our rapidly multiplying microtonal pitch-scale methods. Polychromatic concepts of musical
‘pitch-color’ and ‘interval-color’ are also intended to simplify the exploration of new aesthetic possibilities in the practice of associative synesthetic awareness: learned associations and conceptual/perceptual integration of
audible
pitch with visual color. With an undergraduate study in music and graduate study in medicine, she hopes to explore and develop integrated perspectives between the sound arts and sciences.
Clarence Barlow
Barlow, who studied composition under Bernd Alois Zimmermann (1968-1970) and Karlheinz Stockhausen (1971-1973), is a universally acknowledged pioneer and celebrated composer in the field of electroacoustic and computer music. He has made groundbreaking advancements in interdisciplinary composition that unite mathematics, computer science, visual arts, and literature. While he has been a driving force in interdisciplinary and technological advances, his music is nevertheless firmly grounded in tradition and thus incorporates much inherited from the past. His works, primarily for traditional instruments, feature a vocabulary that ranges from pretonal to tonal, nontonal, or microtonal idioms, and, further, may incorporate elements derived from non-Western cultures.
Jordan Wirfs-Brock
Jordan Wirfs-Brock studies the future of voice interactions from a human-centered computing perspective. Her research focuses on how unexpected mechanisms—sound, taste, participatory experiences—can help people understand quantitative data. For over ten years, she has been making complex information approachable as a journalist, data analyst, producer, and designer.
Steven Ericson
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Nathan Dumlao
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Brook Smith
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